traductions kosmopolit ok
This commit is contained in:
ethylotest
14
de/date.html
Normal file
14
de/date.html
Normal file
@@ -0,0 +1,14 @@
|
||||
<!DOCTYPE html>
|
||||
<html lang="de" dir="ltr">
|
||||
<head>
|
||||
<meta charset="UTF-8">
|
||||
<meta name="viewport" content="width=device-width, initial-scale=1.0">
|
||||
<base href="../"/>
|
||||
<link href="./styles/style.css" type="text/css" rel="stylesheet">
|
||||
<style>.date {margin-right: 2px;}</style>
|
||||
</head>
|
||||
<body>
|
||||
<p class="date right"><i><small>April 2021</small></i></p>
|
||||
</body>
|
||||
</html>
|
||||
|
||||
93
de/en/actualites.html
Normal file
93
de/en/actualites.html
Normal file
@@ -0,0 +1,93 @@
|
||||
<!DOCTYPE html>
|
||||
<html lang="fr" dir="ltr">
|
||||
<head>
|
||||
<meta charset="UTF-8">
|
||||
<meta name="viewport" content="width=device-width, initial-scale=1.0">
|
||||
<title>kosmopolit - actualités</title>
|
||||
<base href="../"/>
|
||||
<meta name="description" content="description du site web">
|
||||
<meta name="keywords" content="truc, bidule, chouette">
|
||||
<link href="./styles/style.css" type="text/css" rel="stylesheet">
|
||||
<link href="./styles/actualites.css" type="text/css" rel="stylesheet">
|
||||
<style> html {visibility: hidden; opacity: 0;} </style>
|
||||
</head>
|
||||
<body>
|
||||
|
||||
<nav class="navbar sticky">
|
||||
<div class="nav_left">
|
||||
<a id="nav_logo" href="index.html" target="_parent"><img src="./docs/nav/kosmopolit_logo_mini.png" alt="logo kosmopolit"></a>
|
||||
<a href="./en/kosmopolit.html" target="_parent"><p>KOSMOPOLIT</p></a>
|
||||
<a href="./en/litterall.html" target="_parent"><p>LITTER<i>all</i></p></a>
|
||||
<a href="./en/lettres.html" target="_parent"><p>Lettres d'Europe et d'Ailleurs</p></a>
|
||||
<a href="./en/actualites.html" target="_parent"><p>Actualités</p></a>
|
||||
</div>
|
||||
|
||||
<div class="nav_right">
|
||||
<a class="language" href="./fr/actualites.html">
|
||||
<img class="flag" src="./docs/nav/flag_fr_mini.png" alt="drapeau francais">
|
||||
<p>fr</p>
|
||||
</a>
|
||||
<a class="language" href="./de/actualites.html">
|
||||
<img class="flag" src="./docs/nav/flag_de_mini.png" alt="Deutsche Flagge">
|
||||
<p>de</p>
|
||||
</a>
|
||||
<a class="language selected" href="./en/actualites.html">
|
||||
<img class="flag" src="./docs/nav/flag_en_mini.png" alt="English flag">
|
||||
<p>en</p>
|
||||
</a>
|
||||
</div>
|
||||
|
||||
</nav>
|
||||
|
||||
<div class="container_main">
|
||||
<aside class="aside_left sticky">
|
||||
<div class="table_box"> <!-- container use to adjust padding -->
|
||||
<h2>sommaire</h2>
|
||||
<a href="./fr/actualites.html#anchor_actualites"><h3>actualités</h3></a>
|
||||
</div>
|
||||
</aside>
|
||||
|
||||
<main>
|
||||
<div class="page_title">
|
||||
<h1 id="anchor_actualites">actualités</h1>
|
||||
</div>
|
||||
|
||||
<br><br>
|
||||
<a class="actu_evenements" href="./fr/lettres/lettres_2021.html" target="_blank" rel="noopener noreferrer">
|
||||
<h3 id="anchor_lea_2021">ZONES SENSIBLES</h3>
|
||||
<p>
|
||||
9ème édition de Lettres d'Europes et d'Ailleurs
|
||||
<br>
|
||||
du 12 au 16 octobre 2021
|
||||
</p>
|
||||
</a>
|
||||
|
||||
<a class="actu_evenements" href="https://lintervalle.blog/2018/03/03/conserver-exposer-transmettre-par-ali-kazma-plasticien-videaste" target="_blank" rel="noopener noreferrer">
|
||||
<h3 id="anchor_litterall_27">Article sur le numéro 27 LITTER<i>all</i> 27</h3>
|
||||
<p>publié le 28 janvier 2021 sur le blog <i>L'INTERVALLE</i> de Fabien Ribery</p>
|
||||
</a>
|
||||
|
||||
<a class="actu_evenements" href="https://lintervalle.blog/2020/03/22/revue-litterall-une-anthologie-annuelle-de-litteratures-allemandes" target="_blank" rel="noopener noreferrer">
|
||||
<h3 id="anchor_litterall_26">Article sur le numéro 26 de LITERR<i>all</i></h3>
|
||||
<p>publié le 22 mars 2020 sur le blog <i>L'INTERVALLE</i> de Fabien Ribery</p>
|
||||
</a>
|
||||
|
||||
<br><br>
|
||||
<p class="date right"><i><small>le 01/04/2021</small></i></p>
|
||||
</main>
|
||||
|
||||
<aside class="aside_right">
|
||||
<div class="relative_box">
|
||||
</div>
|
||||
</aside>
|
||||
|
||||
</div>
|
||||
|
||||
<footer>
|
||||
<iframe src="./fr/footer.html"></iframe>
|
||||
</footer>
|
||||
|
||||
</body>
|
||||
</html>
|
||||
|
||||
|
||||
124
de/en/kosmopolit.html
Normal file
124
de/en/kosmopolit.html
Normal file
@@ -0,0 +1,124 @@
|
||||
<!DOCTYPE html>
|
||||
<html lang="en" dir="ltr">
|
||||
<head>
|
||||
<meta charset="UTF-8">
|
||||
<meta name="viewport" content="width=device-width, initial-scale=1.0">
|
||||
<title>KOSMOPOLIT - the association</title>
|
||||
<base href="../"/>
|
||||
<meta name="description" content="description du site web">
|
||||
<meta name="keywords" content="truc, bidule, chouette">
|
||||
<link href="./styles/style.css" type="text/css" rel="stylesheet">
|
||||
<link href="./styles/kosmopolit.css" type="text/css" rel="stylesheet">
|
||||
<style> html {visibility: hidden; opacity: 0;} </style>
|
||||
</head>
|
||||
<body>
|
||||
|
||||
<nav class="navbar sticky">
|
||||
<div class="nav_left">
|
||||
<a id="nav_logo" href="index.html"><img src="./docs/nav/kosmopolit_logo_mini.png" alt="logo kosmopolit"></a>
|
||||
<a href="./en/kosmopolit.html" ><p>KOSMOPOLIT</p></a>
|
||||
<a href="./en/litterall.html" ><p>LITTER<i>all</i></p></a>
|
||||
<a href="./en/lettres.html" ><p>Lettres d'Europe et d'Ailleurs</p></a>
|
||||
<a href="./en/actualites.html" ><p>Actualités</p></a>
|
||||
</div>
|
||||
|
||||
<div class="nav_right">
|
||||
<a class="language" href="./fr/kosmopolit.html">
|
||||
<img class="flag" src="./docs/nav/flag_fr_mini.png" alt="drapeau francais">
|
||||
<p>fr</p>
|
||||
</a>
|
||||
<a class="language" href="./de/kosmopolit.html">
|
||||
<img class="flag" src="./docs/nav/flag_de_mini.png" alt="Deutsche Flagge">
|
||||
<p>de</p>
|
||||
</a>
|
||||
<a class="language selected" href="./en/kosmopolit.html">
|
||||
<img class="flag" src="./docs/nav/flag_en_mini.png" alt="English flag">
|
||||
<p>en</p>
|
||||
</a>
|
||||
</div>
|
||||
|
||||
</nav>
|
||||
|
||||
<div class="container_main">
|
||||
<aside class="aside_left sticky">
|
||||
<div class="table_box">
|
||||
<h2>table of content</h2>
|
||||
<a href="./en/kosmopolit.html#anchor_kosmopolit"> <h3>KOSMOPOLIT</h3></a>
|
||||
<a href="./en/kosmopolit.html#anchor_contact"> <h3>contact</h3></a>
|
||||
<a href="./en/kosmopolit.html#anchor_team"> <h3>our team</h3></a>
|
||||
<a href="./en/kosmopolit.html#anchor_credits"> <h3>credits</h3></a>
|
||||
</div>
|
||||
</aside>
|
||||
|
||||
<main>
|
||||
<h1 id="anchor_kosmopolit">KOSMOPOLIT</h3>
|
||||
<div class="quote">
|
||||
<p>I once remarked to Eratosthenes : the hallmark of the intellect is that it desires infinity; and since a disk is more infinite than a sphere, the earth must be a disk. And impatiently added : did he not also feel how dreadful it would be once the whole surface of the sphere had been discovered ?</p>
|
||||
<div class="quote_credit">
|
||||
<p>Arno Schmidt, <i>Enthymesis</i></p>
|
||||
<p>traduction John E. Woods</p>
|
||||
</div>
|
||||
</div>
|
||||
<br><br>
|
||||
<p>There is this longing for the infinite of languages and literatures.</p>
|
||||
<p>There is this limit of body and mind, these real or imaginary barriers.</p>
|
||||
<p>There is this space to find, this time to seek.</p>
|
||||
<p>Thanks to translation and public speech of authors, KOSMOPOLIT suggests other ways of interpreting the world.</p>
|
||||
<p>It is a bet to which you are invited.</p>
|
||||
<br><br>
|
||||
<div class="image full">
|
||||
<img src="./docs/kosmopolit/kaleidoscope.png" alt="kaleidoscope">
|
||||
<p class="right"><small><i>explosions superposees</i> © Olgaline Padilla</small></p>
|
||||
</div>
|
||||
|
||||
<h2 id="anchor_contact">contact</h2>
|
||||
<p><a href="mailto:kosmopolit.contact@protonmail.com">kosmopolit.contact@protonmail.com</a></p>
|
||||
<p><a href="./docs/kosmopolit/formulaire_adhesion.pdf" target="_blank" rel="noopener noreferrer">membership form</a></p>
|
||||
|
||||
<h2 id="anchor_team">our team</h2>
|
||||
<p>
|
||||
Jean-Philippe Rossignol – artistic director
|
||||
<br>
|
||||
Miléna Yung – coordinator
|
||||
</p>
|
||||
<p>
|
||||
Françoise Toraille – chairwoman
|
||||
<br>
|
||||
Joachim Umlauf – vice-chairman
|
||||
<br>
|
||||
Lucie Lamy – secretary
|
||||
<br>
|
||||
Evelyne Maes – treasurer
|
||||
<br>
|
||||
Dominique Petit – board member
|
||||
</p>
|
||||
<p>
|
||||
Bernard Banoun – adviser
|
||||
<br>
|
||||
Francesca Isidori – adviser
|
||||
</p>
|
||||
|
||||
<h2 id="anchor_credits">credits</h2>
|
||||
<p>
|
||||
Marie-Charlotte Gain-Hautbois – image of the logo
|
||||
<br>
|
||||
Hugo Lamy – website
|
||||
</p>
|
||||
|
||||
<br><br>
|
||||
<iframe src="./en/date.html"></iframe>
|
||||
</main>
|
||||
|
||||
<aside class="aside_right">
|
||||
<div class="relative_box">
|
||||
</div>
|
||||
</aside>
|
||||
|
||||
</div>
|
||||
|
||||
<footer>
|
||||
<iframe src="./fr/footer.html"></iframe>
|
||||
</footer>
|
||||
|
||||
</body>
|
||||
</html>
|
||||
139
de/en/lettres.html
Normal file
139
de/en/lettres.html
Normal file
@@ -0,0 +1,139 @@
|
||||
<!DOCTYPE html>
|
||||
<html lang="en" dir="ltr">
|
||||
<head>
|
||||
<meta charset="UTF-8">
|
||||
<meta name="viewport" content="width=device-width, initial-scale=1.0">
|
||||
<title>KOSMOPOLIT - Lettres d'Europe et d'Ailleurs</title>
|
||||
<base href="../"/>
|
||||
<meta name="description" content="description du site web">
|
||||
<meta name="keywords" content="truc, bidule, chouette">
|
||||
<link href="./styles/style.css" type="text/css" rel="stylesheet">
|
||||
<link href="./styles/lettres.css" type="text/css" rel="stylesheet">
|
||||
<style> html {visibility: hidden; opacity: 0;} </style>
|
||||
</head>
|
||||
<body>
|
||||
|
||||
<nav class="navbar sticky">
|
||||
|
||||
<div class="nav_left">
|
||||
<a id="nav_logo" href="index.html" ><img src="./docs/nav/kosmopolit_logo_mini.png" alt="logo kosmopolit"></a>
|
||||
<a href="./en/kosmopolit.html" ><p>KOSMOPOLIT</p></a>
|
||||
<a href="./en/litterall.html" ><p>LITTER<i>all</i></p></a>
|
||||
<a href="./en/lettres.html" ><p>Lettres d'Europe et d'Ailleurs</p></a>
|
||||
<a href="./en/actualites.html" ><p>Actualités</p></a>
|
||||
</div>
|
||||
|
||||
<div class="nav_right">
|
||||
<a class="language" href="./fr/lettres.html">
|
||||
<img class="flag" src="./docs/nav/flag_fr_mini.png" alt="drapeau francais">
|
||||
<p>fr</p>
|
||||
</a>
|
||||
<a class="language" href="./de/lettres.html">
|
||||
<img class="flag" src="./docs/nav/flag_de_mini.png" alt="Deutsche Flagge">
|
||||
<p>de</p>
|
||||
</a>
|
||||
<a class="language selected" href="./en/lettres.html">
|
||||
<img class="flag" src="./docs/nav/flag_en_mini.png" alt="English flag">
|
||||
<p>en</p>
|
||||
</a>
|
||||
</div>
|
||||
|
||||
</nav>
|
||||
|
||||
<div class="container_main">
|
||||
<aside class="aside_left sticky">
|
||||
<div class="table_box">
|
||||
<h2>sommaire</h2>
|
||||
<a href="./de/lettres.html#anchor_lettres"> <h3>lettres d'Europe et d'Ailleurs </h3></a>
|
||||
<a href="./de/lettres.html#anchor_2021"> <h3>édition 2021 </h3></a>
|
||||
<a href="./de/lettres.html#anchor_archives"><h3>archives </h3></a>
|
||||
</div>
|
||||
</aside>
|
||||
|
||||
<main>
|
||||
<h1 id="anchor_lettres">Lettres d'Europe et d'Ailleurs</h1>
|
||||
<div class="quote">
|
||||
<p>See each scene deep, love it like a complex faceted jewel. Get the light, shadow & vivid color. Set scene the night before. Sleep on it, write it in the morning.</p>
|
||||
<div class="quote_credit">
|
||||
<p>Sylvia Plath, <i>Journals</i></p>
|
||||
</div>
|
||||
</div>
|
||||
<br><br>
|
||||
<p>This festival brings together once a year authors from Europe and elsewhere. Dedicated to the exploration of writing, languages and the contemporary world, these writers’ meetings, originally organized by the association <i>Les Amis du Roi des Aulnes</i>, take place in public and notably question our relation to reality, climates, animality, politics and poetics.</p>
|
||||
<p>In a changing world, we would like to link different linguistic spheres.</p>
|
||||
<p>We organize these debates in co-construction with cultural institutes, bookshops and universities.</p>
|
||||
<br><br>
|
||||
<div class="image full">
|
||||
<img src="./docs/lea/frontiere.png" alt="inage frontiere de frank smith">
|
||||
<p class="right"><small><i>Frontière</i> © Frank Smith</small></p>
|
||||
</div>
|
||||
<h2 id="anchor_2021">Édition 2021</h2>
|
||||
<a href="./en/lettres/lettres_2021.html">
|
||||
<div class="image horizontal">
|
||||
<div class="rectangle _big"><p>ZONES SENSIBLES<br><small>2021</small></p></div>
|
||||
<div class="vertical">
|
||||
<p>on everyone's lips, even behind our masks, the word "crisis" comes up again and again. Health crisis, ecological crisis, economic crisis, crisis of civilizations... It's like a relay stick being passed around, in the middle of an athletics race that would be called "The World After".</p>
|
||||
</div>
|
||||
</div>
|
||||
</a>
|
||||
|
||||
<h2 id="anchor_archives">archives</h2>
|
||||
<div class="gallery">
|
||||
<div class="card">
|
||||
<a href="./fr/lettres/lettres_2019.html">
|
||||
<div class="rectangle _little"><p>L’écrivain et les bêtes<br><small>2019</small></p></div>
|
||||
</a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/lettres/lettres_2017.html">
|
||||
<div class="rectangle _little"><p>La littérature à l’épreuve du réel<br><small>2017</small></p></div>
|
||||
</a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/lettres/lettres_2016.html">
|
||||
<div class="rectangle _little"><p>Quand la littérature parle de frontières<br><small>2016</small></p></div>
|
||||
</a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/lettres/lettres_2015.html">
|
||||
<div class="rectangle _little"><p>Écrire le climat<br><small>2015</small></p></div>
|
||||
</a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/lettres/lettres_2014.html">
|
||||
<div class="rectangle _little"><p>Écrire des histoires et raconter l’histoire<br><small>2014</small></p></div>
|
||||
</a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/lettres/lettres_2013.html">
|
||||
<div class="rectangle _little"><p>Les écrivains, des témoins engagés de leur temps ?<br><small>2013</small></p></div>
|
||||
</a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/lettres/lettres_2012.html">
|
||||
<div class="rectangle _little"><p>Lettres d’Europe et d’Ailleurs 2012<br><small>2012</small></p></div>
|
||||
</a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/lettres/lettres_2011.html">
|
||||
<div class="rectangle _little"><p>Lettres d’Europe et d’Ailleurs 2011<br><small>2011</small></p></div>
|
||||
</a>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<br><br>
|
||||
<iframe src="./en/date.html"></iframe>
|
||||
</main>
|
||||
|
||||
<aside class="aside_right">
|
||||
<div class="relative_box">
|
||||
</div>
|
||||
</aside>
|
||||
|
||||
</div>
|
||||
<footer>
|
||||
<iframe src="./fr/footer.html"></iframe>
|
||||
</footer>
|
||||
</body>
|
||||
</html>
|
||||
|
||||
140
de/en/lettres/lettres_2021.html
Normal file
140
de/en/lettres/lettres_2021.html
Normal file
@@ -0,0 +1,140 @@
|
||||
<!DOCTYPE html>
|
||||
<html lang="en" dir="ltr">
|
||||
<head>
|
||||
<meta charset="UTF-8">
|
||||
<meta name="viewport" content="width=device-width, initial-scale=1.0">
|
||||
<title>KOSMOPOLIT - Lettres d'Europe et d'Ailleurs - 2021</title>
|
||||
<base href="../../"/>
|
||||
<meta name="description" content="description du site web">
|
||||
<meta name="keywords" content="truc, bidule, chouette">
|
||||
<link href="./styles/style.css" type="text/css" rel="stylesheet">
|
||||
<link href="./styles/lettres_2021.css" type="text/css" rel="stylesheet">
|
||||
<style> html {visibility: hidden; opacity: 0;} </style>
|
||||
</head>
|
||||
<body>
|
||||
|
||||
<nav class="navbar sticky">
|
||||
|
||||
<div class="nav_left">
|
||||
<a id="nav_logo" href="index.html" ><img src="./docs/nav/kosmopolit_logo_mini.png" alt="logo kosmopolit"></a>
|
||||
<a href="./en/kosmopolit.html" ><p>KOSMOPOLIT</p></a>
|
||||
<a href="./en/litterall.html" ><p>LITTER<i>all</i></p></a>
|
||||
<a href="./en/lettres.html" ><p>Lettres d'Europe et d'Ailleurs</p></a>
|
||||
<a href="./en/actualites.html" ><p>Actualités</p></a>
|
||||
</div>
|
||||
|
||||
<div class="nav_right">
|
||||
<a class="language" href="./fr/lettres/lettres_2021.html">
|
||||
<img class="flag" src="./docs/nav/flag_fr_mini.png" alt="drapeau francais">
|
||||
<p>fr</p>
|
||||
</a>
|
||||
<a class="language inactive" href="./de/lettres/lettres_2021.html">
|
||||
<img class="flag" src="./docs/nav/flag_de_mini.png" alt="Deutsche Flagge">
|
||||
<p>de</p>
|
||||
</a>
|
||||
<a class="language selected" href="./en/lettres/lettres_2021.html">
|
||||
<img class="flag" src="./docs/nav/flag_en_mini.png" alt="English flag">
|
||||
<p>en</p>
|
||||
</a>
|
||||
</div>
|
||||
|
||||
</nav>
|
||||
|
||||
<div class="container_main">
|
||||
|
||||
<aside class="aside_left sticky">
|
||||
<div class="table_box">
|
||||
<h2>sommaire</h2>
|
||||
<a href="./en/lettres/lettres_2021.html#anchor_2021"> <h3>ZONES SENSIBLES</h3> </a>
|
||||
<a href="./en/lettres/lettres_2021.html#anchor_events"> <h3>EVENTS & THEMES</h3> </a>
|
||||
<a href="./en/lettres/lettres_2021.html#anchor_1"> <h3>5.mediterranean worlds, reality and fantasy</h3> </a>
|
||||
<a href="./en/lettres/lettres_2021.html#anchor_2"> <h3>4.women and communities</h3> </a>
|
||||
<a href="./en/lettres/lettres_2021.html#anchor_3"> <h3>3.exiles, history, politics</h3> </a>
|
||||
<a href="./en/lettres/lettres_2021.html#anchor_4"> <h3>2.inner experience</h3> </a>
|
||||
<a href="./en/lettres/lettres_2021.html#anchor_5"> <h3>1.rebellion or revolution ?</h3> </a>
|
||||
</div>
|
||||
</aside>
|
||||
|
||||
<main>
|
||||
<h1 id="anchor_2021">
|
||||
SENSITIVE AREAS
|
||||
<br><br><small>
|
||||
Lettres d'Europe et d'Ailleurs
|
||||
12-16 octobre 2021
|
||||
<br>
|
||||
9th edition</small>
|
||||
</h1>
|
||||
|
||||
<p>on everyone's lips, even behind our masks, the word "crisis" comes up again and again. Health crisis, ecological crisis, economic crisis, crisis of civilizations... It's like a relay stick being passed around, in the middle of an athletics race that would be called "The World After". The crisis, a fuzzy notion repeated over and over again, encompasses everything and prevents us from looking further. Of a much more daring nature, the sensitive makes his way through the apocalypse. It questions our ways of living and creates alternatives.</p>
|
||||
<p>For this ninth edition of Lettres d'Europe et d'Ailleurs, we have chosen to give a place to inventive foreign voices who explore the sensitive world and intersect fiction, short stories, essays, autobiography and other hybrid forms. Shifting the lines of the present, not hesitating to bypass clichés and attack norms, here is a literature that is not about to run out of steam !</p>
|
||||
<p>Get ready to run on the track of Lettres d’Europe et d’Ailleurs 2021.</p>
|
||||
|
||||
<h2 id="anchor_events">EVENTS & THEMES</h2>
|
||||
|
||||
<h2 id="anchor_1">1. rebellion or revolution ?</h2>
|
||||
<p>Dialogue between <b>Guy Gunaratne</b> and <b>Annette Hug</b></p>
|
||||
<p>An explosive world to decipher. How to describe the violence between social classes and individuals ? From the 21st century to 19th, from the suburbs of London to the Philippines, we will look at the present, go back in time past and explore the territorial issues that lead to revolts and revolution.</p>
|
||||
<p><i>octobre the 12th, place to define, Brest, in partnership with La Maison de l’Allemagne de Brest</i></p>
|
||||
|
||||
<h2 id="anchor_2">2. inner experience</h2>
|
||||
<p>Dialogue between <b>Esther Kinsky</b> and <b>Thomas Melle</b></p>
|
||||
<p>What does literature say about extreme experiences like grief and bipolarity ? These words would be trapped if we did not take into account the authenticity they imply in writing. Memory, the passage of time, palimpsest, the fragile boundary between fiction and autobiography : we will address the inner experience and its multifaceted translation.</p>
|
||||
<p><i>octobre the 13th, at Goethe Institut, Paris</i></p>
|
||||
|
||||
<h2 id="anchor_3">3. Exiles, history, politics</h2>
|
||||
<p>Dialogue between <b>Dubravka Ugrešić</b> and <b>Gonçalo M. Tavares</b></p>
|
||||
<p>What are the links between literature and politics in a world to be rebuilt ? What is the role of the imaginary ? How to resist barbarism in the age of technology ? Through literature ? From besieged Zagreb to post-Salazar Portugal, it will be a question of double culture, languages, melancholy and a cleverly grating humor. A conversation about of the experience of exile.</p>
|
||||
<p><i>octobre the 14th, at La Maison de la Poésie, Paris, in partnership with L'Institut Camões</i></p>
|
||||
|
||||
<h2 id="anchor_4">4. Women and communities</h2>
|
||||
<p>Dialogue between <b>Louise Chennevière</b> and <b>Marcia Burnier</b></p>
|
||||
<p>What is a woman’s body and how to live desire ? How do we weave solidarity between women to counter the violence that they suffer ? What is the place for a feminine subjectivity far from so-called feminine writing that is as fuzzy as it is categorizing ? So many questions and so many audacious, disturbing and free proposals. Feminists of all countries, wake up. With this joyful song on your lips : don’t liberate me, I’ll take care of it !</p>
|
||||
<p><i>octobre the 15th, place to define, Paris</i></p>
|
||||
|
||||
<h2 id="anchor_5">5. Mediterranean worlds, reality and fantasy</h2>
|
||||
<p>Dialogue between <b>Najwat M. Barakat</b> and <b>Yànnis Palavos</b></p>
|
||||
<p>We will talk about the different ways of looking at a foreign country, avoiding as much as possible the exotic clichés. Reality can take on strange colors and the wonderful can seem almost natural. In this discussion, we would like to see Lebanon and Greece from a singular approach that does not find enough echo in the western media.</p>
|
||||
<p><i>octobre the 16th, at L'Institut du Monde Arabe, Paris</i></p>
|
||||
|
||||
<br><br>
|
||||
<iframe src="./en/date.html"></iframe>
|
||||
</main>
|
||||
|
||||
<aside class="aside_right">
|
||||
<a class="button_box" href="./en/lettres/lettres_2021.html">
|
||||
<h2 class="nocut">édition 2021</h2>
|
||||
</a>
|
||||
<a class="button_box" href="./fr/lettres/lettres_2019.html">
|
||||
<h2 class="nocut">édition 2019</h2>
|
||||
</a>
|
||||
<a class="button_box" href="./fr/lettres/lettres_2017.html">
|
||||
<h2 class="nocut">édition 2017</h2>
|
||||
</a>
|
||||
<a class="button_box" href="./fr/lettres/lettres_2016.html">
|
||||
<h2 class="nocut">édition 2016</h2>
|
||||
</a>
|
||||
<a class="button_box" href="./fr/lettres/lettres_2015.html">
|
||||
<h2 class="nocut">édition 2015</h2>
|
||||
</a>
|
||||
<a class="button_box" href="./fr/lettres/lettres_2014.html">
|
||||
<h2 class="nocut">édition 2014</h2>
|
||||
</a>
|
||||
<a class="button_box" href="./fr/lettres/lettres_2013.html">
|
||||
<h2 class="nocut">édition 2013</h2>
|
||||
</a>
|
||||
<a class="button_box" href="./fr/lettres/lettres_2012.html">
|
||||
<h2 class="nocut">édition 2012</h2>
|
||||
</a>
|
||||
<a class="button_box" href="./fr/lettres/lettres_2011.html">
|
||||
<h2 class="nocut">édition 2011</h2>
|
||||
</a>
|
||||
</aside>
|
||||
|
||||
</div>
|
||||
<footer>
|
||||
<iframe src="./fr/footer.html"></iframe>
|
||||
</footer>
|
||||
</body>
|
||||
</html>
|
||||
|
||||
|
||||
193
de/en/litterall.html
Normal file
193
de/en/litterall.html
Normal file
@@ -0,0 +1,193 @@
|
||||
<!DOCTYPE html>
|
||||
<html lang="fr" dir="ltr">
|
||||
<head>
|
||||
<meta charset="UTF-8">
|
||||
<meta name="viewport" content="width=device-width, initial-scale=1.0">
|
||||
<title>kosmopolit - litterall</title>
|
||||
<base href="../"/>
|
||||
<meta name="description" content="description du site web">
|
||||
<meta name="keywords" content="truc, bidule, chouette">
|
||||
<link href="./styles/litterall.css" type="text/css" rel="stylesheet">
|
||||
<link href="./styles/style.css" type="text/css" rel="stylesheet">
|
||||
<style> html {visibility: hidden; opacity: 0;} </style>
|
||||
</head>
|
||||
<body>
|
||||
|
||||
<nav class="navbar sticky">
|
||||
|
||||
<div class="nav_left">
|
||||
<a id="nav_logo" href="index.html"><img src="./docs/nav/kosmopolit_logo_mini.png" alt="logo kosmopolit"></a>
|
||||
<a href="./en/kosmopolit.html" ><p>KOSMOPOLIT</p></a>
|
||||
<a href="./en/litterall.html" ><p>LITTER<i>all</i></p></a>
|
||||
<a href="./en/lettres.html" ><p>Lettres d'Europe et d'Ailleurs</p></a>
|
||||
<a href="./en/actualites.html" ><p>Actualités</p></a>
|
||||
</div>
|
||||
|
||||
<div class="nav_right">
|
||||
<a class="language" href="./fr/litterall.html">
|
||||
<img class="flag" src="./docs/nav/flag_fr_mini.png" alt="drapeau francais">
|
||||
<p>fr</p>
|
||||
</a>
|
||||
<a class="language" href="./de/litterall.html">
|
||||
<img class="flag" src="./docs/nav/flag_de_mini.png" alt="Deutsche Flagge">
|
||||
<p>de</p>
|
||||
</a>
|
||||
<a class="language selected" href="./en/litterall.html">
|
||||
<img class="flag" src="./docs/nav/flag_en_mini.png" alt="English flag">
|
||||
<p>en</p>
|
||||
</a>
|
||||
</div>
|
||||
|
||||
</nav>
|
||||
|
||||
<div class="container_main">
|
||||
<aside class="aside_left sticky">
|
||||
<div class="table_box">
|
||||
<h2>sommaire</h2>
|
||||
<a href="./en/litterall.html#anchor_litterall" ><h3>LITTER<i>all</i> </h3></a>
|
||||
<a href="./en/litterall.html#anchor_27" ><h3>numéro 27 </h3></a>
|
||||
<a href="./en/litterall.html#anchor_26" ><h3>numéro 26 </h3></a>
|
||||
<a href="./en/litterall.html#anchor_archives" ><h3>archives </h3></a>
|
||||
<a href="./en/litterall.html#anchor_acheter" ><h3>acheter LITTER<i>all</i> </h3></a>
|
||||
</div>
|
||||
</aside>
|
||||
|
||||
<main>
|
||||
<h1 id="anchor_litterall">LITTER<i>all</i></h1>
|
||||
<div class="quote">
|
||||
<p>For us as foreigners it is difficult to penetrate to the ultimate secret of an alien poetry. It is not for us to judge; the last word cannot be ours.</p>
|
||||
<div class="quote_credit">
|
||||
<p>Ossip Mandelstam, <i>Conversation about Dante</i></p>
|
||||
<p>translation Sidney Monas</p>
|
||||
</div>
|
||||
</div>
|
||||
<br><br>
|
||||
<p>This journal publishes once or twice a year a selection of German-language texts, yet unpublished in French.</p>
|
||||
<p>Poetry, essay, short story, novel excerpt – we put forward singular literary voices and creative forms.</p>
|
||||
<p>Founded in 1989 by the association <i>Les Amis du Roi des Aulnes</i> and taken over by KOSMOPOLIT in 2020, the journal can either follow a theme, or its own path within a general arrangement.</p>
|
||||
<br><br>
|
||||
<div class="image full">
|
||||
<img src="./docs/litterall/bibliotheque_litterall.jpg" alt="bibliotheque litterall">
|
||||
<p class="right"><small>credit: Jeffrey Trehudic</small></p>
|
||||
</div>
|
||||
<h2 id="anchor_27">numéro 27</h2>
|
||||
<a href="./fr/litterall/litterall_27.html">
|
||||
<div class="image horizontal">
|
||||
<img src="./docs/litterall/revue_27.JPG" alt="revue litterall">
|
||||
<div class="vertical">
|
||||
<p>Voici un atlas d’un genre particulier. Composé de sept voix de la littérature contemporaine, d’une carte de l’Océan Pacifique et de fac-similés du bureau d’immigration de la police suisse, cet atlas a de quoi surprendre. À quoi correspond ce mélange des genres ?</p>
|
||||
</div>
|
||||
</div>
|
||||
</a>
|
||||
<h2 id="anchor_26">numéro 26</h2>
|
||||
<a href="./fr/litterall/litterall_26.html">
|
||||
<div class="image horizontal">
|
||||
<img src="./docs/litterall/revue_26.JPG" alt="revue litterall">
|
||||
<div class="vertical">
|
||||
<p>Pour son vingt-sixième numéro, LITTERall propose neuf textes et trois dessins. Autant de prolongements pour découvrir des voix singulières. Deux pays sont ici particulièrement concernés, l’Allemagne et la Roumanie, et plus encore le passage entre ces deux territoires.</p>
|
||||
</div>
|
||||
</div>
|
||||
</a>
|
||||
<h2 id="anchor_archives">archives</h2>
|
||||
<div class="gallery">
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_25.html"> <img src="./docs/litterall/litterall_25.jpg" alt="revue litterall 25"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_24.html"> <img src="./docs/litterall/litterall_24.jpg" alt="revue litterall 24"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_23.html"> <img src="./docs/litterall/litterall_23.jpg" alt="revue litterall 23"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_22.html"> <img src="./docs/litterall/litterall_22.jpg" alt="revue litterall 22"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_21.html"> <img src="./docs/litterall/litterall_21.jpg" alt="revue litterall 21"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_20.html"> <img src="./docs/litterall/litterall_20.jpg" alt="revue litterall 20"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_19.html"> <img src="./docs/litterall/litterall_19.jpg" alt="revue litterall 19"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_18.html"> <img src="./docs/litterall/litterall_18.jpg" alt="revue litterall 18"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_17.html"> <img src="./docs/litterall/litterall_17.jpg" alt="revue litterall 17"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_15_16.html"> <img src="./docs/litterall/litterall_15_16.jpg" alt="revue litterall 15 16"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_14.html"> <img src="./docs/litterall/litterall_14.jpg" alt="revue litterall 14"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_12_13.html"> <img src="./docs/litterall/litterall_12_13.jpg" alt="revue litterall 12_13"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_11.html"> <img src="./docs/litterall/litterall_11.jpg" alt="revue litterall 11"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_10.html"> <img src="./docs/litterall/litterall_10.jpg" alt="revue litterall 10"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_09.html"> <img src="./docs/litterall/litterall_09.jpg" alt="revue litterall 9"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_08.html"> <img src="./docs/litterall/litterall_08.jpg" alt="revue litterall 8"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_07.html"> <img src="./docs/litterall/litterall_07.jpg" alt="revue litterall 7"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_06.html"> <img src="./docs/litterall/litterall_06.jpg" alt="revue litterall 6"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_05.html"> <img src="./docs/litterall/litterall_05.jpg" alt="revue litterall 5"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_04.html"> <img src="./docs/litterall/litterall_04.jpg" alt="revue litterall 4"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_03.html"> <img src="./docs/litterall/litterall_03.jpg" alt="revue litterall 3"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_02.html"> <img src="./docs/litterall/litterall_02.jpg" alt="revue litterall 2"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_01.html"> <img src="./docs/litterall/litterall_01.jpg" alt="revue litterall 1"> </a>
|
||||
</div>
|
||||
</div>
|
||||
<h2 id="anchor_acheter">acheter LITTER<i>all</i></h2>
|
||||
<p>Pour acheter LITTER<i>all</i> merci de vous adresser à l'adresse suivante : kosmopolit.contact@protonmail.com</p>
|
||||
<p>Vous pouvez aussi trouver la revue en librairie à Berlin et à Brest :
|
||||
<br>
|
||||
Zadig Buchhandlung, Gipsstraße 12, 10119 Berlin (Allemagne)
|
||||
<br>
|
||||
La Petite Librairie, 4bis Rue Danton, 29200 Brest (France)
|
||||
<br>
|
||||
Librairie Dialogues, Parvis Marie Paul Kermarec, Square Mgr Roull, 29200 Brest (France)
|
||||
</p>
|
||||
<br><br>
|
||||
<p class="right"><small>crédits photos couvertures litterall : Jean-Philippe Rossignol et Jeffrey Trehudic</small></p>
|
||||
<p class="date right"><i><small>le 01/04/2021</small></i></p>
|
||||
</main>
|
||||
|
||||
<aside class="aside_right">
|
||||
<div class="relative_box">
|
||||
<h2 class="box_name">sur le même thème</h2>
|
||||
<a href="./fr/publications/traduire_retraduire.html">
|
||||
<h2>Traduire, retraduire</h2>
|
||||
<p>Entretien entre Frédéric Boyer, Christiane Kayser, et <span class="nocut">Jean-Philippe Rossignol</span></p>
|
||||
</a>
|
||||
</div>
|
||||
</aside>
|
||||
|
||||
</div>
|
||||
<footer>
|
||||
<iframe src="./fr/footer.html"></iframe>
|
||||
</footer>
|
||||
</body>
|
||||
</html>
|
||||
@@ -43,19 +43,18 @@
|
||||
<div class="container_main">
|
||||
<aside class="aside_left sticky">
|
||||
<div class="table_box">
|
||||
<h2>sommaire</h2>
|
||||
<h2>Inhaltsverzeichnis</h2>
|
||||
<a href="./fr/kosmopolit.html#anchor_kosmopolit"> <h3>KOSMOPOLIT</h3></a>
|
||||
<a href="./fr/kosmopolit.html#anchor_contact"> <h3>Kontaktieren Sie uns</h3></a>
|
||||
<a href="./fr/kosmopolit.html#anchor_join"> <h3>Mitglied werden</h3></a>
|
||||
<a href="./fr/kosmopolit.html#anchor_kontact"> <h3>Kontak</h3></a>
|
||||
<a href="./fr/kosmopolit.html#anchor_team"> <h3>Unser Team</h3></a>
|
||||
<a href="./fr/kosmopolit.html#anchor_credits"> <h3>Kredite</h3></a>
|
||||
<a href="./fr/kosmopolit.html#anchor_kredite"> <h3>Kredite</h3></a>
|
||||
</div>
|
||||
</aside>
|
||||
|
||||
<main>
|
||||
<h1 id="anchor_kosmopolit">KOSMOPOLIT</h3>
|
||||
<div class="quote">
|
||||
<p>Ich habe früher einmal zu Eratosthenes geäußert : Das Kennzeichen des Geistes ist, daß er die Unendlichkeit will; nun sei die Scheibe unendlicher als die Kugel, also müsse die Erde eine Scheibe sein. Und fügte ungeduldig hinzu, ob er nicht mitfühle, wie fürchterlich es wäre, wenn man eine Kugeloberfläche einmal fertig entdeckt hätte ?</p>
|
||||
<p>Ich habe früher einmal zu Eratosthenes geäußert : Das Kennzeichen des Geistes ist, daß er die Unendlichkeit will; nun sei die Scheibe unendlicher als die Kugel, also müsse die Erde eine Scheibe sein. Und fügte ungeduldig hinzu, ob er nicht mitfühle, wie fürchterlich es wäre, wenn man eine Kugeloberfläche einmal fertig entdeckt hätte ?</p>
|
||||
<div class="quote_credit">
|
||||
<p>Arno Schmidt, <i>Enthymésis</i></p>
|
||||
</div>
|
||||
@@ -72,11 +71,10 @@
|
||||
<img src="./docs/kosmopolit/kaleidoscope.png" alt="kaleidoscope">
|
||||
<p class="right"><small><i>explosions superposees</i> © Olgaline Padilla</small></p>
|
||||
</div>
|
||||
<h2 id="anchor_contact">Kontaktieren Sie uns</h2>
|
||||
<p><a href="mailto:kosmopolit.contact@protonmail.com">kosmopolit.contact@protonmail.com</a></p>
|
||||
|
||||
<h2 id="anchor_join">Mitglied werden</h2>
|
||||
<p><a href="./docs/kosmopolit/formulaire_d_adhesion.pdf" target="_blank" rel="noopener noreferrer">télécharger ici</a></p>
|
||||
<h2 id="anchor_kontact">Kontak</h2>
|
||||
<p><a href="mailto:kosmopolit.contact@protonmail.com">kosmopolit.contact@protonmail.com</a></p>
|
||||
<p><a href="./docs/kosmopolit/formulaire_adhesion.pdf" target="_blank" rel="noopener noreferrer">Beitrittserklärung</a></p>
|
||||
|
||||
<h2 id="anchor_team">Unser Team</h2>
|
||||
<p>
|
||||
@@ -100,13 +98,16 @@
|
||||
<br>
|
||||
Francesca Isidori – Beraterin
|
||||
</p>
|
||||
|
||||
<h2 id="anchor_Kredite">kredite</h2>
|
||||
<p>
|
||||
Marie-Charlotte Gain-Hautbois – Bild des Logos
|
||||
<br>
|
||||
Hugo Lamy – Webseite
|
||||
</p>
|
||||
<p class="date right"><i><small>01/04/2021</small></i></p>
|
||||
|
||||
<br><br>
|
||||
<iframe src="./de/date.html"></iframe>
|
||||
</main>
|
||||
|
||||
<aside class="aside_right">
|
||||
|
||||
@@ -106,7 +106,7 @@
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/lettres/lettres_2013.html">
|
||||
<div class="rectangle _little"><p>Les écrivains, des témoins engagés de leur temps ?<br><small>2013</small></p></div>
|
||||
<div class="rectangle _little"><p>Les écrivains, des témoins engagés de leur temps ?<br><small>2013</small></p></div>
|
||||
</a>
|
||||
</div>
|
||||
<div class="card">
|
||||
|
||||
@@ -75,7 +75,7 @@
|
||||
<div class="image horizontal">
|
||||
<img src="./docs/litterall/revue_27.JPG" alt="revue litterall">
|
||||
<div class="vertical">
|
||||
<p>Voici un atlas d’un genre particulier. Composé de sept voix de la littérature contemporaine, d’une carte de l’Océan Pacifique et de fac-similés du bureau d’immigration de la police suisse, cet atlas a de quoi surprendre. À quoi correspond ce mélange des genres ?</p>
|
||||
<p>Voici un atlas d’un genre particulier. Composé de sept voix de la littérature contemporaine, d’une carte de l’Océan Pacifique et de fac-similés du bureau d’immigration de la police suisse, cet atlas a de quoi surprendre. À quoi correspond ce mélange des genres ?</p>
|
||||
</div>
|
||||
</div>
|
||||
</a>
|
||||
@@ -96,12 +96,18 @@
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_24.html"> <img src="./docs/litterall/litterall_24.jpg" alt="revue litterall 24"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_23.html"> <img src="./docs/litterall/litterall_23.jpg" alt="revue litterall 23"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_22.html"> <img src="./docs/litterall/litterall_22.jpg" alt="revue litterall 22"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_21.html"> <img src="./docs/litterall/litterall_21.jpg" alt="revue litterall 21"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_20.html"> <img src="./docs/litterall/litterall_20.jpg" alt="revue litterall 20"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_19.html"> <img src="./docs/litterall/litterall_19.jpg" alt="revue litterall 19"> </a>
|
||||
</div>
|
||||
|
||||
1
docs/autres/.~lock.Ultimes traductions.odt#
Normal file
1
docs/autres/.~lock.Ultimes traductions.odt#
Normal file
@@ -0,0 +1 @@
|
||||
,ethylotest,ethylotest-Lenovo-FLEX-3-1120,07.04.2021 09:23,file:///home/ethylotest/.config/libreoffice/4;
|
||||
BIN
docs/autres/Ultimes traductions.odt
Normal file
BIN
docs/autres/Ultimes traductions.odt
Normal file
Binary file not shown.
14
en/date.html
Normal file
14
en/date.html
Normal file
@@ -0,0 +1,14 @@
|
||||
<!DOCTYPE html>
|
||||
<html lang="en" dir="ltr">
|
||||
<head>
|
||||
<meta charset="UTF-8">
|
||||
<meta name="viewport" content="width=device-width, initial-scale=1.0">
|
||||
<base href="../"/>
|
||||
<link href="./styles/style.css" type="text/css" rel="stylesheet">
|
||||
<style>.date {margin-right: 2px;}</style>
|
||||
</head>
|
||||
<body>
|
||||
<p class="date right"><i><small>april 2021</small></i></p>
|
||||
</body>
|
||||
</html>
|
||||
|
||||
@@ -42,22 +42,21 @@
|
||||
<div class="container_main">
|
||||
<aside class="aside_left sticky">
|
||||
<div class="table_box">
|
||||
<h2>sommaire</h2>
|
||||
<h2>table of content</h2>
|
||||
<a href="./en/kosmopolit.html#anchor_kosmopolit"> <h3>KOSMOPOLIT</h3></a>
|
||||
<a href="./en/kosmopolit.html#anchor_contact"> <h3>Contact us</h3></a>
|
||||
<a href="./en/kosmopolit.html#anchor_join"> <h3>Join us</h3></a>
|
||||
<a href="./en/kosmopolit.html#anchor_team"> <h3>Our team</h3></a>
|
||||
<a href="./en/kosmopolit.html#anchor_credits"> <h3>Credits</h3></a>
|
||||
<a href="./en/kosmopolit.html#anchor_contact"> <h3>contact</h3></a>
|
||||
<a href="./en/kosmopolit.html#anchor_team"> <h3>our team</h3></a>
|
||||
<a href="./en/kosmopolit.html#anchor_credits"> <h3>credits</h3></a>
|
||||
</div>
|
||||
</aside>
|
||||
|
||||
<main>
|
||||
<h1 id="anchor_kosmopolit">KOSMOPOLIT</h3>
|
||||
<div class="quote">
|
||||
<p>Un jour je tins à Eratosthène le raisonnement suivant : l'esprit se caractérise par sa volonté d'infini ; or le disque étant plus infini que la sphère, la terre sera donc nécessairement un disque. Et je lui demandai avec agacement s'il n'était pas capable de sentir combien l'idée d'une sphère dont on aurait fini d'explorer la surface était terrifiante ?</p>
|
||||
<p>I once remarked to Eratosthenes : the hallmark of the intellect is that it desires infinity; and since a disk is more infinite than a sphere, the earth must be a disk. And impatiently added : did he not also feel how dreadful it would be once the whole surface of the sphere had been discovered ?</p>
|
||||
<div class="quote_credit">
|
||||
<p>Arno Schmidt, <i>Enthymésis</i></p>
|
||||
<p>traduction Claude Riehl</p>
|
||||
<p>Arno Schmidt, <i>Enthymesis</i></p>
|
||||
<p>traduction John E. Woods</p>
|
||||
</div>
|
||||
</div>
|
||||
<br><br>
|
||||
@@ -71,13 +70,12 @@
|
||||
<img src="./docs/kosmopolit/kaleidoscope.png" alt="kaleidoscope">
|
||||
<p class="right"><small><i>explosions superposees</i> © Olgaline Padilla</small></p>
|
||||
</div>
|
||||
<h2 id="anchor_contact">Contact us</h2>
|
||||
<p><a href="mailto:kosmopolit.contact@protonmail.com">kosmopolit.contact@protonmail.com</a>
|
||||
|
||||
<h2 id="anchor_join">Join us</h2>
|
||||
<p><a href="./docs/kosmopolit/formulaire_d_adhesion.pdf" target="_blank" rel="noopener noreferrer">télécharger ici</a></p>
|
||||
<h2 id="anchor_contact">contact</h2>
|
||||
<p><a href="mailto:kosmopolit.contact@protonmail.com">kosmopolit.contact@protonmail.com</a></p>
|
||||
<p><a href="./docs/kosmopolit/formulaire_adhesion.pdf" target="_blank" rel="noopener noreferrer">membership form</a></p>
|
||||
|
||||
<h2 id="anchor_team">Our tean</h2>
|
||||
<h2 id="anchor_team">our team</h2>
|
||||
<p>
|
||||
Jean-Philippe Rossignol – artistic director
|
||||
<br>
|
||||
@@ -99,13 +97,16 @@
|
||||
<br>
|
||||
Francesca Isidori – adviser
|
||||
</p>
|
||||
<h2 id="anchor_credits">Credits</h2>
|
||||
|
||||
<h2 id="anchor_credits">credits</h2>
|
||||
<p>
|
||||
Marie-Charlotte Gain-Hautbois – image of the logo
|
||||
<br>
|
||||
Hugo Lamy – website
|
||||
</p>
|
||||
<p class="date right"><i><small>01/04/2021</small></i></p>
|
||||
|
||||
<br><br>
|
||||
<iframe src="./en/date.html"></iframe>
|
||||
</main>
|
||||
|
||||
<aside class="aside_right">
|
||||
|
||||
@@ -106,7 +106,7 @@
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/lettres/lettres_2013.html">
|
||||
<div class="rectangle _little"><p>Les écrivains, des témoins engagés de leur temps ?<br><small>2013</small></p></div>
|
||||
<div class="rectangle _little"><p>Les écrivains, des témoins engagés de leur temps ?<br><small>2013</small></p></div>
|
||||
</a>
|
||||
</div>
|
||||
<div class="card">
|
||||
|
||||
@@ -75,7 +75,7 @@
|
||||
<div class="image horizontal">
|
||||
<img src="./docs/litterall/revue_27.JPG" alt="revue litterall">
|
||||
<div class="vertical">
|
||||
<p>Voici un atlas d’un genre particulier. Composé de sept voix de la littérature contemporaine, d’une carte de l’Océan Pacifique et de fac-similés du bureau d’immigration de la police suisse, cet atlas a de quoi surprendre. À quoi correspond ce mélange des genres ?</p>
|
||||
<p>Voici un atlas d’un genre particulier. Composé de sept voix de la littérature contemporaine, d’une carte de l’Océan Pacifique et de fac-similés du bureau d’immigration de la police suisse, cet atlas a de quoi surprendre. À quoi correspond ce mélange des genres ?</p>
|
||||
</div>
|
||||
</div>
|
||||
</a>
|
||||
@@ -96,12 +96,18 @@
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_24.html"> <img src="./docs/litterall/litterall_24.jpg" alt="revue litterall 24"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_23.html"> <img src="./docs/litterall/litterall_23.jpg" alt="revue litterall 23"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_22.html"> <img src="./docs/litterall/litterall_22.jpg" alt="revue litterall 22"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_21.html"> <img src="./docs/litterall/litterall_21.jpg" alt="revue litterall 21"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_20.html"> <img src="./docs/litterall/litterall_20.jpg" alt="revue litterall 20"> </a>
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/litterall/litterall_19.html"> <img src="./docs/litterall/litterall_19.jpg" alt="revue litterall 19"> </a>
|
||||
</div>
|
||||
|
||||
@@ -54,7 +54,7 @@
|
||||
<main>
|
||||
<h1 id="anchor_kosmopolit">KOSMOPOLIT</h3>
|
||||
<div class="quote">
|
||||
<p>Un jour je tins à Eratosthène le raisonnement suivant : l'esprit se caractérise par sa volonté d'infini ; or le disque étant plus infini que la sphère, la terre sera donc nécessairement un disque. Et je lui demandai avec agacement s'il n'était pas capable de sentir combien l'idée d'une sphère dont on aurait fini d'explorer la surface était terrifiante ?</p>
|
||||
<p>Un jour je tins à Eratosthène le raisonnement suivant : l'esprit se caractérise par sa volonté d'infini ; or le disque étant plus infini que la sphère, la terre sera donc nécessairement un disque. Et je lui demandai avec agacement s'il n'était pas capable de sentir combien l'idée d'une sphère dont on aurait fini d'explorer la surface était terrifiante ?</p>
|
||||
<div class="quote_credit">
|
||||
<p>Arno Schmidt, <i>Enthymésis</i></p>
|
||||
<p>traduction Claude Riehl</p>
|
||||
@@ -106,6 +106,7 @@
|
||||
Hugo Lamy – pour le site internet
|
||||
</p>
|
||||
|
||||
<br><br>
|
||||
<iframe src="./fr/date.html"></iframe>
|
||||
</main>
|
||||
|
||||
|
||||
@@ -108,7 +108,7 @@
|
||||
</div>
|
||||
<div class="card">
|
||||
<a href="./fr/lettres/lettres_2013.html">
|
||||
<div class="rectangle _little"><p>Les écrivains, des témoins engagés de leur temps ?<br><small>2013</small></p></div>
|
||||
<div class="rectangle _little"><p>Les écrivains, des témoins engagés de leur temps ?<br><small>2013</small></p></div>
|
||||
</a>
|
||||
</div>
|
||||
<div class="card">
|
||||
|
||||
@@ -76,7 +76,7 @@
|
||||
<div class="image horizontal">
|
||||
<img src="./docs/litterall/revue_27.JPG" alt="revue litterall">
|
||||
<div class="vertical">
|
||||
<p>Voici un atlas d’un genre particulier. Composé de sept voix de la littérature contemporaine, d’une carte de l’Océan Pacifique et de fac-similés du bureau d’immigration de la police suisse, cet atlas a de quoi surprendre. À quoi correspond ce mélange des genres ?</p>
|
||||
<p>Voici un atlas d’un genre particulier. Composé de sept voix de la littérature contemporaine, d’une carte de l’Océan Pacifique et de fac-similés du bureau d’immigration de la police suisse, cet atlas a de quoi surprendre. À quoi correspond ce mélange des genres ?</p>
|
||||
</div>
|
||||
</div>
|
||||
</a>
|
||||
|
||||
Reference in New Issue
Block a user